Download A manual on drawing the human figure by Len A Doust PDF

By Len A Doust

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Extra resources for A manual on drawing the human figure

Example text

Older teens, including the bishounen- and bishoujo-style characters, are drawn with smaller heads on long bodies—even when sitting! This makes the characters look more mature. But often, artists reduce the head size a bit too much. Tiny head sizes on regular bodies make characters look giant. It also looks wrong on a gut level. Be careful to avoid this error in judgment, and adjust if it occurs. Note the difference in the two examples given, and use the guide of four head lengths to make up the torso and head section.

Back It may seem counterintuitive, but women have wide backs. Of course the back width isn’t the same as that of a man—but it should not be de-emphasized. The rear pose also provides the best view of the starting point of the waist, which occurs much higher up the torso than a man’s waist. The female hips, being wide, are approximately the same width as the shoulders. This is a good measurement to remember when sketching. It can help you arrive at the correct proportions. This is an important section because it shows how much muscular definition is visible on the skin’s surface of the average, trim manga figure.

When stretched like that, the triceps loses definition and appears smooth. Triceps, Flexed When the arm hangs straight down so that the biceps is relaxed, the triceps flexes, rising and bunching up. This flexing defines the two heads of the triceps (inner and outer) on the skin surface. The triceps is used primarily for pushing, pressing, striking, and throwing movements. The flexed muscle turns into tendon before reaching the elbow. The forearms have many thin, long muscles running from elbow to wrist.

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